On a Sierra machine (10.12), the older presets were automatically converted after waiting a few minutes however, nothing happened on a High Sierra machine (10.13). Unfortunately, I found this conversion didn’t always work. This enables you to preview a color preset applied to a clip by skimming over the effect thumbnail. Previously created presets for the color board will be converted into color preset effects, which now appear in the effects browser. Ironically the color board actually seems to achieve more accurate correction than the color wheels. So for me, the ergonomics are poor. In my testing, I’ve also hit some flaws in how the processing is done ( more on that in a future post). You can’t move the controls around and there is no special color correction workspace. My biggest beef is that you are limited to the controls being locked within the inspector pane. While not quite as fluid of a grading workflow as you’d have in a true color correction application, like Resolve, you can get pretty close with some experience. There are also additional keyboard commands to quickly step through effects or clips on your timeline.
HOW TO EDIT IN FINAL CUT PRO 10.4.2 PRO
Final Cut Pro X sports robust performance, so you can apply several layers of correction to a clip and still have real-time playback without rendering.
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Once you start color correcting, you can add more instances of any of these four tools in any combination. There’s a preference setting for which of these four color tools is the default effect when first applying color correction (CMD+6). However, the color board didn’t go away however. All are elegantly designed, operate quite fluidly, and generally mimic what you can do in DaVinci Resolve. With this update, you’ve gained three new, native color tools, including color wheels, curves, and hue vs.
Clearly users want choice and that’s a good thing. Yet, I have heard from at least one plug-in developer that their color corrector plug-in sales are staying stable. With the release of FCPX 10.4, it’s hard for me to see why FCPX diehards would still buy a color correction plug-in. The lack of a more advanced color correction interface opened the field for third party color correction plug-in developers who came up with some great tools. While the color board was and is effective, as well as a bit deceptive in what you can accomplish, it was an instant turn-off for many. It substituted sliders on a color swatch for the standard curves and color wheel controls that editors had been used to. There are four new, marquee features in this release: advanced color correction tools, 360° editing, HDR (wide gamut) color space support, and HEVC/H.265 codec support for editing and encoding.įinal Cut Pro X was first launched with a color correction tool called the color board. The minimum OS requirement is 10.12.4, but 10.13 or later is recommended. This version will still run on a wide range of recent and older Macs.
There are changes under the hood tied to technologies in High Sierra (macOS 10.13), which won’t get much press, but are very important in the development and operation of an application.
HOW TO EDIT IN FINAL CUT PRO 10.4.2 PROFESSIONAL
In the broader ecosystem, we also saw updates for macOS High Sierra, Logic Pro X, Pixelmator Pro, and Blackmagic Design DaVinci Resolve.įinal Cut Pro X (“ten”), version 10.4 is the fifth major release of Apple’s professional NLE in a little over six years. December finally delivered the much-anticipated simultaneous release of new versions of Apple Final Cut Pro X, Motion, and Compressor – all on the same day as the iMac Pro officially went on sale.
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